Seen on rooftops all over the city, these water storage vessels last about 30 years. The yellow cedar wood strips are held together with steel bands, and the water inside swells the wood for a leak-proof fit. The wood insulates the water well enough to keep it from freezing in winter. Buildings taller than five stories need to have water pumped to the upper floors.
In the 19th century, NYC required that all buildings higher than six stories be equipped with a rooftop water tower. This was necessary to prevent the need for excessively high pressures at lower elevations, which could burst pipes. In modern times, the towers have become fashionable in some circles. As of 2006, the neighborhood of Tribeca requires water towers on all buildings, whether or not they are being used.
Two companies in New York build water towers, both of which are family businesses in operation since the 19th century. The original water tower builders were barrel makers who expanded their craft to meet a modern need as buildings in the city grew taller in height.
The rooftop water towers store 5,000-10,000 gallons of water until it is needed in the building below. The upper portion of water is skimmed off the top for everyday use while the water in the bottom of the tower is held in reserve to fight a fire. When the water drops below a certain level, a switch or valve activates activate a pump or open a public water line to refill the water tower.
Thursday, December 1, 2011
Tuesday, August 30, 2011
Library Bar at Hudson Hotel
Reminiscent of an old English club or drawing room, the Library is the perfect cozy hangout for relaxing by the enormous gas fireplace, chatting and drinking with friends, shooting billiards, playing a computer game, or reading a book from its extensive collection on topics ranging from film, theater, fashion and art, to travel and politics.An artful blend of old and new, the two story Library features an antique billiards table covered in purple felt (and topped by Ingo Maurer’s enormous metallic hemisphere lamp shade), classic English caramel leather sofas and wing chairs, walls of leather-bound books and antique area rugs residing alongside cyber-desks fitted with laptop computers. Not to mention oversized black and white photographs by noted French fashion photographer Jean-Baptiste Mondino of a most curious subject: Holsteins sporting jaunty couture hats. No lie.
Hudson Hotel
356 West 58th Street; 212.554.6000
Bottom photo courtesy Rob Tabor

Monday, June 6, 2011
Boathouse Restaurant in Central Park


The Boathouse Restaurant
East 72nd St. & Park Drive North
(within Central Park, west of the Metropolitan Museum)
212.517.2233
Mon thru Fri: Lunch noon-4:00p; Dinner (Apr-Nov) 5:30-9:30 (last seating)
Sat and Sun: Brunch 9:30a-4:00p; Dinner (Apr-Nov) 6:00p-9:30 (last seating)
Located at the northeastern tip of the Lake, the Loeb Boathouse houses the Boathouse Restaurant, a famous icon of Central Park. Overlooking the lake, it is a charming place to have lunch on a pleasant afternoon (or dinner April through November). Many diners prefer the deck, where they can watch the rowboats and occasional gondola drift by.
Year-round, a complimentary trolley picks up patrons from a stop at Fifth Avenue and 72nd Street and drops them off directly at the boathouse (between Nov. 4 and Apr. 14, the trolley runs only Sat., Sun., and holidays). Weekdays from 3pm to 7pm (when vehicles are permitted in the park) patrons can use the restaurant parking lot. At all other times, diners may use the Metropolitan Museum garage at 80th Street and Fifth Avenue and taking the free Boathouse Trolley to and from the restaurant. The garage is open 24 hours.
Note: Vehicles are permitted in Central Park only Monday through Friday from 7-10am and from 3-7pm. Whether by car or by foot, enter the park at Fifth Avenue and 72nd Street and follow the traffic road to the right. It is a very pleasant walk to the restaurant and takes approximately 5-6 minutes.


Tuesday, February 15, 2011
Museum Mile
The upper east side is home to a large clutch of museums, but these three facing Fifth Avenue make an excellent all-day museum outing, a great plan for a rainy day. Try to have lunch at Neue Galerie's Café Sabarsky.
Solomon Guggenheim Museum (5th Ave. at 89th St.)
$18 adults; $15 seniors 65+
Daily 10:00a-5:45p (except late Sat closing 7:45p)
Spend some time outside to marvel at the corkscrew spiral architecture of Frank Lloyd Wright.

Celebrating its 50th Anniversary, this museum offers landmark works of modern art. The distinctive building, Frank Lloyd Wright's last major work, opened in October, 1959, six months after the architect’s death; Wright labored over the project for 15 years, and it was already "retro modern" when finally built, considering that construction took place at the same time as Lincoln Center.
The museum contains a renowned collection of impressionist, post-impressionist, modern and contemporary art. Internally, the viewing gallery forms a gentle spiral from the main level up to the top of the building, which is wider than the bottom, an unusual feature. Paintings are displayed along the walls of the spiral and also in exhibition space found at annex levels along the way. In 1992, the building was supplemented by an adjoining rectangular tower, taller than the original spiral (see photo at top of post). A large circular skylight illuminates the central atrium of the main building, casting deep shadows onto the exhibit areas, unfortunately. Many of the living artists represented in the museum's collection objected to having their works illuminated by artificial light. At the time of this post, much of the museum is closed to the public as a major retrospective on the works of Frank Lloyd Wright is being installed.

Dining options include the just-opened restaurant/bar simply called “The Wright.”
The Wright Restaurant (lunch 11:30a-3:30p, dinner 5:30p-11:00p; Sunday brunch 11:00a-5:00p)
The Wright Bar (appetizers/sandwiches 11:30a-5:00p)
Café 3 (on third floor) sandwiches/pastries with a view of Central Park (10:30a-3:00p)
Neue Galerie (5th ave. at 86th St.)
Austrian & German art circa 1900
$15 Adults; $10 seniors 65+; Building is the former home of Mrs. Cornelius Vanderbilt III
11:00a-6:00p (closed Tue/Wed) Complimentary coat check

Early 20th century Austrian paintings and decorative art (2nd floor). Be sure to view Gustav Klimt’s Adele Bloch-Bauer
Early 20th century German art (third floor)
Café Sabarsky Thu-Fri-Sat-Sun 9:00a-9:00p; Mon &Wed 9:00a-6:00p (separate entrance)
Breakfast-Lunch-Dinner “Echt Viennese” menu; exceptional pastries
Metropolitan Museum of Art (5th Ave. at 82nd St.)
A pay-what-you-wish museum (but $20 per adult recommended). If you can visit only one New York City Museum, this is the one that can't be missed.
Fri/Sat: 9:30a–9:00p (cafeteria open 11:30a-7:00p)
Sun: 9:30a–5:30p (cafeteria open 11:30a-4:30p)
Mon holidays (such as MLK Day): 9:30a–5:30p (cafeteria open 11:30a-4:30p)

Other dining venues at the Met:
Petrie Café and Wine Bar (a la carte menu; large windows overlook Central Park)
Fri/Sat from 9:30a; last seating 8:30p
Sun 9:30a-4:30p
Daily afternoon tea begins at 2:30p ($24 per person)
Reservations (dinner & brunch only) 212-570-3964
Great Hall Balcony Bar (live classical music)
Fri/Sat only 4:00p-8:30p (last call 8:00)
Wine/beer/cocktails & appetizers
New American Wing Café
Fri/Sat 11:00a-8:30p
Sun 11:00a-4:30p
Soups/salads/sandwiches/desserts
Solomon Guggenheim Museum (5th Ave. at 89th St.)
$18 adults; $15 seniors 65+
Daily 10:00a-5:45p (except late Sat closing 7:45p)
Spend some time outside to marvel at the corkscrew spiral architecture of Frank Lloyd Wright.

Celebrating its 50th Anniversary, this museum offers landmark works of modern art. The distinctive building, Frank Lloyd Wright's last major work, opened in October, 1959, six months after the architect’s death; Wright labored over the project for 15 years, and it was already "retro modern" when finally built, considering that construction took place at the same time as Lincoln Center.
The museum contains a renowned collection of impressionist, post-impressionist, modern and contemporary art. Internally, the viewing gallery forms a gentle spiral from the main level up to the top of the building, which is wider than the bottom, an unusual feature. Paintings are displayed along the walls of the spiral and also in exhibition space found at annex levels along the way. In 1992, the building was supplemented by an adjoining rectangular tower, taller than the original spiral (see photo at top of post). A large circular skylight illuminates the central atrium of the main building, casting deep shadows onto the exhibit areas, unfortunately. Many of the living artists represented in the museum's collection objected to having their works illuminated by artificial light. At the time of this post, much of the museum is closed to the public as a major retrospective on the works of Frank Lloyd Wright is being installed.

Dining options include the just-opened restaurant/bar simply called “The Wright.”
The Wright Restaurant (lunch 11:30a-3:30p, dinner 5:30p-11:00p; Sunday brunch 11:00a-5:00p)
The Wright Bar (appetizers/sandwiches 11:30a-5:00p)
Café 3 (on third floor) sandwiches/pastries with a view of Central Park (10:30a-3:00p)
Neue Galerie (5th ave. at 86th St.)
Austrian & German art circa 1900
$15 Adults; $10 seniors 65+; Building is the former home of Mrs. Cornelius Vanderbilt III
11:00a-6:00p (closed Tue/Wed) Complimentary coat check

Early 20th century Austrian paintings and decorative art (2nd floor). Be sure to view Gustav Klimt’s Adele Bloch-Bauer
Early 20th century German art (third floor)
Café Sabarsky Thu-Fri-Sat-Sun 9:00a-9:00p; Mon &Wed 9:00a-6:00p (separate entrance)
Breakfast-Lunch-Dinner “Echt Viennese” menu; exceptional pastries
Metropolitan Museum of Art (5th Ave. at 82nd St.)
A pay-what-you-wish museum (but $20 per adult recommended). If you can visit only one New York City Museum, this is the one that can't be missed.
Fri/Sat: 9:30a–9:00p (cafeteria open 11:30a-7:00p)Sun: 9:30a–5:30p (cafeteria open 11:30a-4:30p)
Mon holidays (such as MLK Day): 9:30a–5:30p (cafeteria open 11:30a-4:30p)

Other dining venues at the Met:
Petrie Café and Wine Bar (a la carte menu; large windows overlook Central Park)
Fri/Sat from 9:30a; last seating 8:30p
Sun 9:30a-4:30p
Daily afternoon tea begins at 2:30p ($24 per person)
Reservations (dinner & brunch only) 212-570-3964
Great Hall Balcony Bar (live classical music)
Fri/Sat only 4:00p-8:30p (last call 8:00)
Wine/beer/cocktails & appetizers
New American Wing Café
Fri/Sat 11:00a-8:30p
Sun 11:00a-4:30p
Soups/salads/sandwiches/desserts
Thursday, December 30, 2010
Lincoln Restaurant and Lawn

How many restaurants do you know of where you can walk on the roof? Lincoln, the ultra expensive new stand alone restaurant at Lincoln Center (average check for a glass of wine and two courses is $120 per person), offers a steeply angled 10,000-square-foot rooftop swath of green for picnics and sunning. I’m not making this up.
The 147-by-70-foot lawn offers much needed green space to the Lincoln Center campus, which has undergone a recent transformation with a price tag of more than a billion dollars. That’s billion with a “B.” They hired the firm behind the Bellagio fountains in Vegas to rework the Lincoln Center plaza fountain, and new wide steps leading up from Broadway have risers that have LCD lights spelling out promotions.
The Henry Moore sculptures, reflecting pool and grass-roofed restaurant, looking toward the Juilliard School. A corner of Avery Fisher Hall is on the right.The southwest edge of the restaurant roof is at plaza level, but ascends up nine grassy steps to 23 feet in height. The tall grass surface (90 percent fescue, 10 percent Kentucky bluegrass) is energy-saving, temperature-regulating, and storm-water-absorbing. The restaurant structure straddles the steps that connect Avery Fisher Hall and the Vivian Beaumont Theater, descending from the plaza level down to West 65th Street, facing a reworked Juilliard building and Alice Tully Hall.
The scene from an upper floor of the Juilliard Building looking across W. 65th St. toward the Met. Avery Fisher Hall is to the left, the Vivian Beaumont Theater to the right.The grass roof lies just a few feet above the restaurant's wood slat ceiling (shown below right)
Wednesday, December 1, 2010
Grand Central Terminal Laser Light Show
See a spectacular kaleidoscope light show displayed against the famous Zodiac ceiling, walls and pillars of Grand Central Terminal, the world's largest train station. The light show is a holiday tradition established in 1999 and is enough to stop even the most frazzled and jaded commuters in their tracks.To the strains of Duke Ellington’s “Take The A-Train,” lasers on the ceiling show two commuter trains arriving from opposite directions. The trains pull to a stop, and a reindeer leaps out of each one and crosses over to the other train. Then a laser beam traces the outline of one of the zodiac constellations painted on the ceiling. The crab (Cancer) leaps to life and becomes a train conductor, sidling down the center aisle of the car, punching the reindeer's ticket stubs with its claws.
Delighted tourists hold on to each other as they lean over backward to gaze at the overhead display. Another show starts. The familiar music of Tchaikovsky's Nutcracker Suite fills the enormous room. As “Dance of the Sugar Plum Fairies” begins, the Empire State Building and the Chrysler Building sprout arms, bow to each other, and begin waltzing across the ceiling. The show ends with giant sprigs of mistletoe appearing over the heads of the commuters and tourists. Cell phones come out of purses and pockets as tiny flashes capture affectionate real-life kisses and lingering hugs by those who just watched the show. Ah – Christmas in New York City!
Main Concourse, from December 1, 2010 through January 1, 2011, every half hour between 11:00 a.m. and 9:00 p.m. daily. FREE!
Grand Central Terminal: 87 East 42nd Street
www.grandcentralterminal.com

Sunday, June 6, 2010
Chrysler Building

The Chrysler Building – 405 Lexington Avenue at 42nd Street – was built in 1928-1930 by Walter P. Chrysler. Its design was a 77-story tall triumph of Art Deco, and it was one of the first skyscrapers to make a major use of metal in its construction and adornment. Many consider it the most important Art Deco building in the world.
Until his departure in 1920, Walter P. Chrysler had been vice-president of General Motors in charge of operations and president of their Buick division. Five years later he had bought out the Maxwell Automobile Corporation and reorganized it into the Chrysler Corporation. In 1927 he bought the much larger rival Dodge Brothers Company and renamed it the Dodge Division of Chrysler.
Heady from that success, Walter P.Chrysler teamed up with architect William Van Alen for the design and construction of an office skyscraper. Van Alen was essentially given a blank check to come up with a design to fit the car magnate's ambition.
Architects Van Alen and H. Craig Severance, the architect of the Bank of Manhattan's building at 40 Wall Street, had been former partners but were now ardent rivals – both wanted to build the tallest building in the world. Severance had just finished the structural work on his Bank of Manhattan building by a winning margin of less than one meter, so Van Alen revealed his trump card on October 23, 1929, just one day before the stock market made its first plunge. To hide the last design revision to incorporate a needle-like top, the pieces for the 27-ton vertex were hoisted to the 65th floor, assembled inside the spire and, with the help of a derrick, raised that day in just one and a half hours to add another 37.5 meters to the building's height – a total of 1,048 feet – exceeding the Eiffel Tower (then the tallest structure in the world). It was the first building ever to exceed 1,000 feet in height. However, four months later the rapidly ascending Empire State Building caught up and overtook the Chrysler Building’s height. Nevertheless, it remains the world’s tallest brick building.
Elevator door detail:

Completed at a cost of $20 million, the Chrysler Building was officially opened on May 27, 1930, and Van Alen was already in trouble. He was accused of taking bribes from contractors and Chrysler refused to pay his full percentage-based fee. Van Alen hadn't made it any easier for himself by not making a written contract with Chrysler for the design commission. Although Van Alen would later reach immortality with this building, he had lost his good reputation as an architect and never worked on a notable commission again. Moreover, the building was scorned by critics, who saw it merely as an oversized advertisement for Chrysler with little architectural merit.
The building is clad in white brick and dark gray brickwork is used as horizontal decoration to enhance the window rows. The eccentric crescent-shaped steps of the spire are made of chrome-nickel steel as a stylized sunburst motif, and underneath it immense steel chimeras depicting American eagles, which stare over the city. The building has a lot of ornamentation that is based on features that were being used on Chrysler cars of the day. The corners of the sixty first floor are graced with eagles, replicas of the 1929 Chrysler hood ornaments. At the thirty first story, the corner ornamentations are replicas of 1929 Chrysler radiator caps (see photo below).

Although Walter Chrysler had his personal office here for a number of years, contrary to popular belief, this building was not built or financed by the Chrysler Corporation. Instead, it was a personal project of Walter Chrysler to be given as a business venture for his sons, Walter Jr. and Jack, who were not interested in the automobile business.
The three story high, upwards tapering entrance lobby has a triangular form, with entrances from three sides, Lexington Avenue, 42nd and 43rd Streets. The lobby is lavishly decorated with red Moroccan marble walls, sienna-colored travertine floor and onyx, blue marble and steel in Art Deco compositions. The ceiling mural, the largest in the world at its completion, was painted by Edward Trumbull and praises the modern-day technical progress – and of course the building itself and its builders at work. The lobby was refurbished in 1978 by JCS Design Assocs. and Joseph Pell Lombardi.


Unsurprisingly, a street level showroom for the Chrysler line of automobiles was incorporated in 1936 by Reinhard & Hofmeister. All of the building's 32 elevators are lined in a different pattern of wooden paneling; eight varieties of wood from all over the world were used in the elevator decor. The doors are of a fantastic design that perhaps better than anything indicates the great influence of ancient Egyptian designs on the birth of Art Deco – the burst of Deco's themes and the uncovering of the tomb of Tutankhamen in 1922 being a good coincidence.
Inside the metal pyramid, on the building's top floors, a duplex luxury apartment with triangular windows was built for Walter Chrysler's use, completed with a walk-in fireplace. During the Prohibition, the fashionable Art Deco-style Cloud Club at the top of the building, on floors 65 and 66, was an exclusive male club with a jazzy atmosphere for the social elite. A large mural on the club wall depicted the city as seen from the clouds. On the 71st floor, an observatory deck – living its heyday from August 1930 until the opening of Empire State's observatory eight months later – sported a ceiling mural depicting the night sky. The club and the observatory deck have been closed for decades, and all the interior decor of those spaces was removed at the request of the current tenants.
A recent owner of the building, Jerry Speyer (who co-owns Rockefeller Center) bought the building, together with the neighboring Chrysler Building East, for an estimated $220 million in 1997, with an additional $100 million worth of repairs waiting to be carried out. The most recent transaction was in July, 2008, when the government of Abu Dhabi bought a 75 percent stake in the landmark building for $800 million.
The Chrysler Building was designated a landmark by the New York City Landmarks Preservation Commission in 1978. In 2007, The Chrysler Building was ranked #9 on the American Institute of Architechts “150 America's Favorite Architecture” list. National Historic Register #76001237.
Trivia: Chrysler ran Buick successfully for the full term of his contract, but resigned his position in 1919 when the term had been fulfilled (upon his departure, Chrysler was paid $10 million for his GM stock). Walter Chrysler had started at Buick in 1911 for $6,000 a year, and left one of the richest men in America.
Chrysler was then hired to attempt a turnaround by bankers who foresaw the loss of their investment in Willys-Overland Motor Company in Toledo, Ohio. He demanded, and got, a salary of US$1 million a year for 2 years, an astonishing amount at that time. When Chrysler left Willys in 1921 after an unsuccessful attempt to wrest control from John Willys, he acquired a controlling interest in the ailing Maxwell Motor Company. Chrysler phased out Maxwell and absorbed it into his new firm, the Chrysler Corporation, in 1925. In addition to his namesake car company, Plymouth and DeSoto marques were created, and in 1928 Chrysler purchased Dodge. He personally financed the construction of the Chrysler Building in New York City. In 1929, Walter Chrysler was named Time Magazine's Man of the Year.

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